Availability: Shipping Early 2021. The standard EF mount is non-locking. The number of megapixels determines the resolution of the images captured with the main camera. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. Secondly, the larger sensor of the C500 Mark II is probably better in low light situations. The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. But, if all you are shooting is 4K, the C300 Mark II does it in spades, especially with this next bit. Best Cine Lenses for the Canon C300 Mark III, Best Cine Prime Lenses for the Canon C500 Mark II, You can still use Super35mm lenses in cropped more for 4K. This category only includes cookies that ensures basic functionalities and security features of the website. I´ve tried the C200 with Sigma 18-35 f1.8 and the 50-100 f1.8 a few times and I loved the image I got out of this combo, but the c200 raw is a bit too noisy for my liking, so the c300 mark III fixes that with DGO and adds the electronic image stabilization on top of that. Canon EOS C700 What you get: I believe these are the features that contribute to food on the table. Canon EOS C500 Mark II. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. Canon is the class leader here, and with Canon’s range of cinema lenses there’s nothing left to say. Most of the Cinema EOS cameras are Netflix approved. The C500 Mark II clears this easily, and outputs 6K, so even ‘chopped off’ anamorphic will deliver true 4K. Clients do pay extra for color grading or DI, and there are decent enough budgets for: You will be working with enough margins to recoup the additional cost in just a matter of months. This is where the Canon C300 Mark III really makes a practical difference. In proportion you might be spending 50-60% over what you would be spending with the C300 Mark III. We consider a thinner chassis better because it makes the product more compact and portable. If you’re interested in learning about lenses and how that would impact your purchase, check out these two articles: In terms of lenses, generally speaking, full frame lenses cost more than Super35mm lenses. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The data rates are manageable for both cameras, all things considering. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. Nowadays, it is used to create film-like motion characteristics. With image stabilization, unlike autofocus, certain generalities hold true (unless intentionally crippled). For me the Canon C500 Mark II strikes a great balance here. Here’s the question: Which camera would have the better autofocus? The C500 Mark II is definitely a cinema camera. The standard EF mount is non-locking. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. With manual white balance you can choose the most accurate setting and avoid the green, blue or red hue which can occur in auto mode. With a standard mini jack socket, you can use the device with most headphones. Canon doesn’t make lenses for both formats you can compare directly. Powered by Canon’s new Digic DV7 processor, the EOS C500 Mark II offers 5.9K internal Cinema RAW Light and 4K 4:2:2 10-bit XF-AVC recording. Both cameras use the same sensor, and share the same basic colour gamut, log setting and colour matrix. These cookies do not store any personal information. Not only does it add to the cost of the camera, but also the time to work with RAW in post, and the cost of additional storage and processing power. EOS C700 FF; EOS C200; EOS C500 Mark II; Above you can see how it looks compared to a C200 and a C700 FF. Canon C500 Mark II. EF to PL mount (PM-V1) 3. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. The new Canon C500 Mark II is a 5.9K full-frame cinema camera. The data rates are great, but you get that extra 6K RAW for higher-end productions. For just Genlock, you can purchase the cheaper Canon EU-V1: It is clear if you need the cameras for any sort of regular broadcast work you will have to purchase the EU-V2 expansion unit. One important thing to note is you get a free 512 GB CFexpress card and reader with the C500 Mark II. So overall im very excited to go from my 3xSony A7III to this beast. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. https://versus.com/en/canon-eos-c300-mark-ii-vs-canon-eos-c700 This website uses cookies to improve your experience. Hi, Thanks for the comparison. You also have the option to opt-out of these cookies. If you’re just using Canon still lenses then probably not. Image stabilization for smaller sensors will be better than larger sensors. I have the c300 mark III on preorder. CMOS image sensors are slowly replacing CCD sensors, due to reduced power consumption and better image quality. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. The Canon C500 Mark II is obviously more expensive. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. When recording movies they stay focussed and sharp. It supports full frame readout as well as Super 35mm and Super 16mm modes that can be used with conventional Super 35mm lenses and full frame compatible lenses. We have been told that the next cinema camera from Canon will be the Cinema EOS C300 Mark III. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. Similar to the EOS C700 FF model, the EOS C500 Mark II features a full frame 38.1 x 20.1mm sensor with a 17:9 aspect ratio. This means you don’t have to go down to 2K or HD just to get high frame rates, and you can take advantage of all the possibilities of 4K. This needs to be tested with the same lenses under similar situations. Media card costs are an important percentage of ownership: If you compare apples to apples (4K to 4K), the data rates are similar. This page is currently only available in English. A complete visual representation + video of the filmmaking process from beginning to end. Frame rates for slow-motion videos vary between 60fps and 960fps. It’s a no-brainer, really. Don’t forget to take that into account. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Canon C500 Mark II. A higher megapixel count means that the camera is capable of capturing more details. A microphone port allows connecting external high-end or specialized microphones. No 6K. It has faster transfer rates and improved security compared to its predecessors – a, b, and g. A remote control allows you to control the device remotely. If you use dual pixel AF, LUTs, etc., the consumption will be higher. I don´t need or want 6K, more DR, more managable file sizes in raw, 120p, same body, autofocus at all frame rates and brilliant 10-bit 4:2:2 codec options. Now let’s get into the camera video specifications: ^C-Log 2 has the highest dynamic range. It's a standard popular among professional cameras and camcorders. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. But opting out of some of these cookies may have an effect on your browsing experience. If you were a independent filmaker wanting to make films for festivals iTunes Netflix and occasional big screen as well as corporate videos and commercials which would you pick between these two ? It’s the camera that excites me the most for the kind of work I do. The maximum resolution available for videos shot with the main camera. Canon sells the following two adapters, both with shim kits: 1. In other words, both are expected to produce stellar image quality that 99% of clients will approve of (the remaining 1% can pay extra for that Arri rental). It depends on the lenses you are going to use it with. The height represents the vertical dimension of the product. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Necessary cookies are absolutely essential for the website to function properly. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. With C-Log 3 you get 14 stops (still great!). We consider a smaller width better because it assures easy maneuverability. 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